Partita in A minor for solo flute (Bach) - Wikipedia.

This section of the Bach Cantatas Website (BCW) contains Recording Reviews of Bach's Instrumental (Non-Vocal) Works. The sections also contains comprehensive discographies of several instrumental works, such as the Goldberg Variations or the Art of Fugue, and discussions of some instrumental works, most of which have been compiled from the Bach Recordings Mailing List (BRML).

Get this from a library! Analysis of three works for solo flute: Partita in A minor by J.S. Bach, Fantasie in A minor by G.P. Telemann, and Sonata in A minor by C.P.E. Bach. (Nellie J LaBerge).

Partita in A Minor BWV 1013: Allemande, J.S. Bach Johann Sebastian Bach, the composer of the Partita in A Minor for Flute, could play organ, violin and he could sing; (1) in short, he was a triple threat, with high conceptual understanding of composing and playing music. This passion continued even after losing his eyesight when nearing his death, having lived from 1685-1750.

Violin Sonata in G minor, H.542.5 (Bach, Carl Philipp Emanuel) Authorship Note This work was formerly catalogued as a violin sonata (BWV 1020) by Johann Sebastian Bach (1685-1750).

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Not to be confused with an earlier piece in the same key and going by the same title (BWV 944, ca. 1708), J.S. Bach's Fantasia and Fugue in A minor for harpsichord (or perhaps clavichord), BWV 904, is an early Leipzig-period work probably composed ca. 1725. The fantasia opens with a dramatic, thickly chordal phrase, built upon a descending bass line; this turns out to be a kind of informal.

Because its fugue is incomplete, J.S. Bach's Fantasia and Fugue for keyboard in C minor, BWV 906, a work composed sometime during the composer's early or middle Leipzig years (though possibly as late as 1738), is sometimes known simply as the Fantasia in C minor; it is one of relatively few Bach harpsichord prelude and fugue pieces whose authenticity has not been questioned, for it survives in.

In using the Sonata da Chiesa form, the flute sonatas of J. S. Bach frequently differ from those of earlier models in the parts for harpsichord, with parts that are frequently elaborated, creating a partnership between the flute and the harpsichord that is much more equal than previously seen, (viii) sometimes going so far as to briefly have.

Johann Sebastian Bach most likely completed his Brandenburg Concerto No. 5 in D major, BWV 1050, in 1721. This work is the fifth of six concertos the composer dedicated to Christian Ludwig, Margrave of Brandenburg. The offering was likely a sort of application for employment; Bach got no response, but these pieces have become some of his best-known material.

Like J. S. Bach's Partita in A minor (BWV 1013), the sonata edited here is considered one of the most important works for solo Flute of the eighteenth century.

The Bach Flute. Patterns and performance choices in selected Bach’s perpetual-motion movements. Johann Sebastian Bach, Partita in A Minor for Solo Flute, BWV 1013: An Analysis and Transcription for the Double Bass. Dance Influences in Johann Sebastian Bach’s Partita in A Minor for Solo Flute, BWV 1013. The music: Facsimilie of the flute.